The origins of the name of this piece will probably remain a mystery to all but the uninitiated.
In some ways this piece was an attempt to see what Philip Glass would sound like at quarter speed. Perhaps this is the reason why it took three weeks to think about this recording and just under two days to execute. Although apparently quite simple in execution, this piece uses over eighty separate tracks, many of which are used for the occasional bleeps and chirps you can faintly detect across the stereo spectrum, the majority of which came from the Moog.
This is also available on YouTube.